Customise Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions.

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

Other uncategorized cookies are those that are being analyzed and have not been classified into a category as yet.

Latest

Musicians' Union provide gig booking guidelines

Blog by Musicians' Union under Live

Have you ever booked a gig with a promoter via text, email or Twitter? 

Fine if you’re planning a night out, but if you’re the one taking to the stage it not only lacks professionalism, it will also be hard to use as evidence in court if the arrangement goes awry. 

So how can you make sure you're covered if something goes wrong?

Get it in writing
You may need to provide documentary evidence to prove that an agreement was in place, for example if you need to bring a claim for unpaid fees. 

Ideally you should use a signed Musicians’ Union contract, but a clear exchange of emails or even a print out of a Facebook chat or tweets can count as long as the content is clear and certain.

It may sound like an attack on social media, something we all use to arrange our lives. But the problem doesn’t lie with the medium. It’s all about the message. You need to have enough detail recorded to prove a contractual agreement was in place and that all of the relevant terms had been agreed. And things like text talk could make it harder to prove that there was a serious intention to create a contractual relationship. 

If an engager refuses to sign a contract or confirm a booking in writing, alarm bells should start to ring. Of course you want to get the gig, but you also want to be paid. And having a record of what is agreed can protect the promoter’s position as much as the artists’, so they really shouldn’t object.

Know who is hiring you 
First off, make sure you're arranging a gig with the right person. Bob the barman might not have the authority to hire bands or be there when you turn up to play. 

You then need to make sure the person you sign a contract with is the 'legal person' who is engaging you – an individual over 18 or a limited company – and that they are explicitly named as the hirer. If the booking is with a company, check that it exists. 

It sounds simple, but this has caught people out before. 

Value yourself as a Musician
Don’t be afraid of asking to be taken seriously. Using contracts and agreeing terms demonstrates that you expect to be respected. As does asking for a fair wage – check out our Fair Play Guide and Work Not Play campaign for more on how and why. 

We can support you with contracts and specimen agreements. Plus help if you have a disagreement with a venue, promoter or agent. Get in touch with your Regional Office via theMU.org

 

Tags

musicians union, the mu, booking gigs, playing gigs, gig promoters, unsigned bands, unsigned musicians, independent musicians

 

Your Comments

Applications open for Stendhal Festival
Submissions open now for AMEX Unsigned
Apply to play Hanwell Hootie
Glastonbury Emerging Talent competition open now!
Closing soon! Sensoria Festival accepting submissions for 2025 event
Apply to play Lakefest 2025